Theme 3 Essay Example | Topics and Well Written Essays - 750 words

Theme 3 - Essay Example change process within an organization, and thus there is a lot that the management can do to enhance the success of the change process (MartinÄ iÄ , 2010:82). In arguing for the assertion by (Mullins 2010: 753), that the management has little it can do about resistance to change, it is apparent that the management cannot force change on the organizational stakeholders such as the employees, considering that change has to emanate from within (Shao-His, Ying-Fang & Shao-Wen, 2012:747). Whenever change is externally driven, it will result to resistance and where resistance is not apparent, the change process will be sabotaged by those opposed to it, or they may quit where it is apparent that change must occur. The problem with this is that, the organization may lose its valuable assets in the quitting employees (Phillips, 1983:191). Nevertheless, to argue against the assertion by (Mullins 2010: 753), it is apparent that the management can do a lot about resistance to change within an organization. This principle can be demonstrated well by the case â€Å"Remaking JC Penney’s Organizational Culture†, where Myron E. Ullman, who was appointed to the position of the chairman and CEO of JC Penney Corporation in 2004, had an elaborate plan on how he could introduce change to the organization, through making the organization a great work place for the employees (ICMR, 2007:2). However, he was faced with a lot of resistance, considering that the organization had a culture of rigidity and formal employee relationship spanning over the past 100 years (ICMR, 2007:2). The rigid rules of addressing the managers formally and dressing strictly in accordance with the organizational dress code had made the environment in the organization tense. This resulted to the inability of the organization to attract new talent or retain new recruits, while the employee turnover increased (ICMR, 2007:3). Nevertheless, after Ullman and the newly hired human resource manager, Michael Theilmann

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SooJin Lee Period 2 Mr. Ajlouny Feb 6, 2014 The Metamorphosis Essay Prompt: How is Gregor’s transformation into a bug a representation of an existentialism crisis? Existentialism is known to be a dangerous philosophical theory that makes us question ourselves the purpose of our lives, and makes us feel isolated from the world that can even lead to accepting death. In his short story The Metamorphosis, Kafka represents the horror of existentialism through Gregor’s transformation of a bug. Kafka empathizes that existentialism is so dangerous that existential attitude occurs without even a person realizing until something changes in that person’s life. For example, Kafka creates a character name Gregor, a traveling salesman who works very hard to over provide for his family, to show how he does not realize how tired and overworking man he is until he transforms into a useless bug. Because Gregor over works for his family and is always out in business trips, he is a lonely man. Gregor is used to being alone and even â€Å"formed the cautious habit.. of locking all his doors at night†(13). His routine for a day is simple: work and sleep like a bug. He does not meet with any woman, go on a vacation, or even rest peaceful at home because he is so â€Å"condemned to work for a firm where people immediately conceive the greatest suspicions at the smallest sign of negligence† (15). He’s isolation from the world even before he becomes a bug already shows his existential attitude. However, Gregor does not realizes this until he turns into a beetle who no longer can work, but to stay in his room. Kafka uses Gregor to represent that existentialism can not be seen until something physically happens. Although Kafka presents Gregor as an indif... ...simply â€Å"clears out that trash† into a dumpster(51). Instead of being buried and have a funeral for Gregor, he is thrown like a dead bug on the grade. Until the end, Gregor’s family does not show their love for Gregor, but shed some tears at the end; half of it because they feel sad and the other half it because they feel free. The way how Gregor’s family treated Gregor play a big role of danger of existentialism. Through Gregor’s transformation as a bug, Kafka represents how people around Gregor and himself place Gregor into a greater danger of existentialism. He shows the reader how horrific existentialism is and that this can be one of the reasons why deaths occur in this world. He warns the reader to be able to maintain the limit and the ability of how much a person can work, so that we don’t have to be like Gregor who only works for living like a bug would do.

McKay

It seems really ironic that a poem could be both an outcry during the Harlem Renaissance and a rallying song for Winston Churchill to persuade his country to fight against the Nazis, but that is exactly what this poem was.   Claude McKay’s â€Å"If We Must Die† was originally written about the race riots in Harlem in 1919, and it was a call to all African American men that it was time for them to stand up for their rights.   As with his poetry, McKay himself had quite an interesting life. Born in Jamaica in 1889, he published his first book of poetry at the age of twenty.   In this book called â€Å"songs of Jamaica,† he tells the reader about living the life of an average black in Jamaica.   In 1912, he came to America in order to attend Tuskegee, then moves on to the University of Kansas.   He flirted with communism and traveled to Europe only to find himself converting to Catholicism back in Harlem again.   Dying in 1948, McKay certainly left his mark on the world.   McKay’s poem â€Å"If We Must Die,† leaves a mark of his fierceness when it comes to social inequality and â€Å"bucking† the status quo.   McKay makes a plea to African American men. McKay uses many literary techniques and devices in this poem to enhance and emphasize his meaning.   He uses â€Å"like hogs† in line one, which is a simile.   He immediately begins with this because the reader clearly does not want to identify himself or herself with â€Å"hogs.†Ã‚   He is setting up the idea that black people do not want to live like animals.   Therefore, they must fight for their rights.   He uses apostrophe, both in lines 5 and 9.   He may allude to many other injustices suffered like Harper’s Ferry or slavery. An extended metaphor would be the animal imagery that is carried through the poem with words like â€Å"hogs,† (line 1)â€Å"hunted, â€Å" â€Å"penned,† (line 2) â€Å" bark,† â€Å"mad and hungry dogs,† (line 3) â€Å"monsters,† (line 7) â€Å"cowardly pack† (line 13).   A metaphor is used in line 7 with the word â€Å"monsters.†Ã‚  Ã‚   Again, McKay is making the conscience choice to evoke animal imagery because, in his mind, blacks have become animals.   They have been backed into a corner like animals, and now they must choose to fight their way out. His choice of rhetoric or diction clearly demonstrates that of the black man’s dignity and the animal imagery that dehumanizes the black man.   An example of hyperbole is â€Å"If we must die, let it not be like hogs† (line 1)   and â€Å"and for their thousand blows deal one death-blow† (line 11).   In line 3, onomatopoeia is used with the word â€Å"bark.†Ã‚   A rhetorical question is used in line 12 with â€Å"What though before us lies the open grave?†Ã‚   This reminds the reader that death waits for all of us, so what have they really got to lose?   Many of these techniques are used to create a sense of urgency in the reader. Basically interpreting this poem is simple.   It is brief but eloquent.   McKay does not feel that his fellow â€Å"kinsmen† should stand around and let society or white man attack them and do nothing about it.   He tells his brothers that they must fight.   They need to show themselves to be brave and fight back against injustice and oppression.   They must fight back against those who persecute them.   McKay clearly admits that they may be outnumbered, with their backs pressed to the wall, but they will not go down without a fight.   They will not be treated like animals in a pen by remaining passive; they will join together and fight.   If they have been made into animals, they will fight like animals. This poem is clearly a Shakespearean sonnet.   One easy way to tell is the rhyme scheme of ababcdcdefefgg.   Also the reader knows because the poem consists of 14 lines and is made up of three quatrains and a couplet, with the last rhyming couplet being the â€Å"turn.†Ã‚   This sonnet is also written in iambic pentameter as to stay with traditional form.   The poem is clearly end-rhymed as the rhyme scheme suggests.   There is repetition of the words â€Å"If we must die.† By repeating these words McKay repeats his plea for people to fight back, not to just accept the way things are.   African Americans deserve equal rights and they should get them or at least go out trying.   This poem is a call to African American men to fight for their rights.   He uses a quite traditional poetic form with very strict rules to talk about a non-traditional topic—African Americans standing up for their rights.   It is formal structure to express a formal message, written almost like a speech or plea. McKay’s hatred for the passive nature of black men is shown in this poem.   He is calling for black men to stand up and fight against the injustices that have been done to them.   He says that if they have to die, they should at least die fighting, knowing that they were fighting for their cause.   Society has, in many ways, made them into animals.   Instead of sitting passively by and being treated like animals, they should fight like animals.   They have nothing to lose because they have no rights and in many ways are simply waiting for death. Works Cited McKay, Claude, â€Å"If We Must Die,† Retrieved October 30, 2007 at Web Site: McKay, Claude, Retrieved October 30, 2007 at Web Site: http://www.poets.org/poet.php/prmPID/25         

Effects of Rap Music on Crime - 14002 Words

Listening to Rap: Cultures of Crime, Cultures of Resistance Julian Tanner, University of Toronto Mark Asbridge, Dalhousie University Scot Wortley, University of Toronto This research compares representations of rap music with the self-reported criminal behavior and resistant attitudes of the music’s core audience. Our database is a large sample of Toronto high school students (n = 3,393) from which we identify a group of listeners, whose combination of musical likes and dislikes distinguish them as rap univores. We then examine the relationship between their cultural preference for rap music and involvement in a culture of crime and their perceptions of social injustice and inequity. We find that the rap univores, also known as urban music†¦show more content†¦In both the mainstream press (i.e., The New York Times) and publications targeting a predominately black readership (i.e., Ebony and Jet), she finds rap lauded for the salutary lessons that it imparts to black youth regarding the realities of urban living; likewise, rap artists are applauded for their importance as role models and mentors to inner-city black youth. Thus, while rap has been framed negatively, as a contributor to an array of social problems, crime and delinquency in particular, it has also been celebrated and championed as an authentic expression of cultural resistance by underdogs against racial exploitation and disadvantage. How these differing representations of rap might resonate with audience members was not part of Binder’s research mandate.2 Furthermore, while she does acknowledge that journalistic perceptions of the racial composition of the rap audience are not necessarily accurate – that more white suburban youth, even in the 1980s and 1990s, might have been consuming the music than black inner-city youth – this acknowledgment does not alter her enterprise or her argument. At this point in time, when the listening audience for rap music has both expanded and become increasingly diverse, our research concerns how young black, white and Asian rap fans in Toronto, Canada relate to a musical form still viewed prim arily in termsShow MoreRelatedThe Violence Of Rap And Rap1633 Words   |  7 PagesIntroduction Crime is culture. Wait, what? Believe it or not crime is a culture that has developed rapidly this past century. 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